what
the media has to say about his movies
hut in the
woods
Berliner
Kurier: “Hans Weingartner proves once again that he is one of the best German film
directors. His gripping portrait is deeply affecting.”
Süddeutsche
Zeitung: “A drive for freedom runs through this film, archaic, naive,
revolutionary, embodying more of the spirit of the sixties than the actual
'68ers.”
Frankfurter
Allgemeine Sonntagszeitung: “Hans Weingartner is perhaps the only
German-speaking director who understands his films as acts of rebellion rather
than merely universally acceptable social criticism.”
Der Spiegel: “A touching psychological drama.”
Die Welt:
“Weingartner is one of the few filmmakers who have not let reality extinguish
their utopias.”
Berliner
Zeitung: “Touching and tender is this endangered community, full of warmth and
sensitivity to its fragility. (…) This film is important for all of us.”
Badische
Zeitung: “Brilliant. (…) You leave the cinema aware that you have seen a
powerful film – with two outstanding lead actors.”
Die Zeit: “Spectacular.”
Hannoversche Allgemeine Zeitung: “A heart-wrenching
melodrama. (…) Weingartner succeeds in making imagination and
reality appear equally real and justified in his film.”
In München:
“An exciting psychological drama with continual attempts to break free from the
vast soul-precarity.”
Kino Kalender Dresden:
“A great film for anyone who still knows what cinema is about and hasn’t
forgotten how to think for themselves.”
Neue Presse
Hannover: “Exciting, occasionally whimsical, infuriating. (…) A great little
film.”
SWR
Nachtkultur: “Great!”
TV Spielfilm:
“Bold and uncompromising.”
Subway: “His
films 'The White Noise' and 'The Edukators' are already cult classics. And the
new drama from the rebellious director will soon be one too. (…) Lead actor
Peter Schneider exudes charisma and credibility. Courageous and thoughtful
cinema that offers a significant sustainability factor.”
zitty:
“Intense and multifaceted.”
The
Edukators - die fetten jahre sind vorbei
The Hollywood
Reporter: “... a great film that brims with intelligent wit, professional
storytelling, charming characters, and adult dialogues, while also being
thrilling with a stunningly surprising ending ... a highly entertaining and
intelligent film that combines suspense, comedy, and politics ... breathes a
fresh air of originality that makes going to the cinema a pleasure.”
The New York
Times: "A captivating film that showcases the complexities of youthful
idealism, blending humor and drama in a way that feels both authentic and
relatable."
Screen Daily:
"A compelling blend of drama and comedy that tackles complex themes of
social justice and personal responsibility with wit and charm."
The Guardian
(UK): "A refreshing take on activism and the power of youth, 'The
Edukators' is both entertaining and intellectually stimulating."
IndieWire:
"An exhilarating ride through the minds of its characters, the film
expertly balances humor and serious themes, making it a must-see."
The Playlist:
"A vibrant exploration of youth and idealism, 'The Edukators' captures the
spirit of rebellion while also posing challenging questions about
morality."
Empire
Magazine: "A thought-provoking and entertaining film that sparks important
conversations about activism and the role of youth in society."
Die Zeit: “...
breaks the comfortable lethargy of money with irritating cheerfulness and a
surreal subversive power that one thought was lost since Luis Bunuel trampled
the overly bourgeois Christmas tree at the Chaplins' home.”
Die Welt: “...
a furiously directed German Cannes representative and rightly the winner of the
German Film Award for Best Direction, exemplifying what German cinema currently
has to say.”
El Pais: “An
honest and original story ... great performances.”
Telerama:
“Full of energy ... full of surprises ...”
Blickpunkt Film: “Rebellion is sexy. They
rehearse the uprising – completely relaxed and carefree, with new passion and
love. You leave the cinema uplifted and want to send all your friends in.”
das weisse rauschen - The White Noise
Hannoversche Allgemeine: “A grandiose debut.”
epd Film:
“Genial! A graduation film and already a masterpiece.”
Abendzeitung,
München: “A film that is both formally and thematically audacious in its
maturity.”
Plärrer
Nürnberg: “Since Hans Christian Schmids '23', one hasn't seen a German film
that ventures so far while remaining so close to the heartbeat of madness and
the pulse of the times.”
Express Köln:
“One of the best German films of recent years ... a film that, once seen, does
not leave your mind.”
Stuttgarter
Zeitung: “A trip into madness ... Such strong debut films are rare, especially
when they come from Germany.”
SÜDDEUTSCHE
ZEITUNG: “... one of the most remarkable German productions of recent years.”
KREUZER Leipzig: “An exceptional German film.”
Marabo Bochum:
“DAS WEISSE RAUSCHEN is the furious directorial debut of an exciting young
director: Hans Weingartner - with an outstanding performance by newcomer Daniel
Brühl. A multiple award-winning psychological thriller of a special kind.”
COOLIBRI: “A
directorial debut of the highest class! A touching story that goes straight to
the heart.”
FOCUS: “Hans
Weingartner's furiously disturbing directorial debut ... an exciting road movie
into an adventurous future.”
TIP: “... the
film conveys an immediacy and a pull that makes the viewer feel as if they are
almost 'live' at the creation (of schizophrenia).”
KREUZER,
Leipzig: “Extraordinary German cinema.”
CHRISMON: “A
passionate plea against the stigmatization of schizophrenia ... a disturbing
trip into the psyche...”
303
The Hollywood Reporter: "A beautifully
shot road movie that captures the essence of youthful exploration and the
complexities of modern relationships."
Variety: "Weingartner's film is a poignant
reflection on love and self-discovery, marked by strong performances and
stunning cinematography."
Screen Daily: "A charming and
contemplative journey that resonates with audiences, showcasing the beauty of
human connection against breathtaking backdrops."
The Guardian (UK): "303 offers a fresh
perspective on the road movie genre, blending humor and introspection in a way
that feels both authentic and engaging."
IndieWire: "A heartfelt exploration of
youth and freedom, '303' is a film that balances light-hearted moments with
deeper philosophical questions."
Artechock:
"Beautiful and delightful."
Uncut: "A
movie with magical appeal."
Berliner
Zeitung: "One of the most beautiful road movies you've ever seen."
Der Spiegel: "A road movie that impressively
addresses the longing for freedom and the search for identity."
Süddeutsche Zeitung: "Weingartner
skillfully tells a touching story with a fine sense for dialogue and character,
making it both entertaining and thought-provoking."
Die Zeit: "A film that beautifully
combines the lightness of travel with the weight of self-discovery. A wonderful
portrait of young people searching for their place in the world."
Frankfurter Rundschau: "303 is more than
just a road movie; it's a philosophical dialogue about love, friendship, and
the challenges of life."
Programmkino.de: "A film that captivates
the audience with its authentic portrayal and profound conversations.
Weingartner demonstrates once again his talent for exploring human
relationships."
Kino.de: "A visually stunning work that
perfectly captures the beauty of the landscapes and the complexity of the
characters. A must-see for any film fan."
Filmstarts.de: "303 is an intelligent and
emotional road movie that impresses with its charm and wit. The chemistry
between the lead actors is simply fantastic."
Die Welt: "A beautifully crafted film that
captures the essence of youth and the spirit of adventure. Weingartner's
direction is both sensitive and insightful."
Filmecho: "303 is a refreshing take on the
road movie genre, blending humor and existential questions seamlessly. The
performances are genuine and captivating."
Cineman: "A journey filled with unexpected
encounters and profound conversations, showcasing the beauty of human
connection in a modern world."
SWR: "Weingartner's film is a poetic
exploration of the search for meaning, wrapped in stunning visuals and an
engaging narrative."
KulturSPIEGEL: "A film that resonates with
anyone who has ever felt lost or uncertain. Its charm lies in its relatability
and the authenticity of its characters."
Filmdienst: "303 offers a compelling mix
of light-hearted moments and deeper reflections on life, making it a
well-rounded cinematic experience."
Blickpunkt:Film: "An intimate and
thought-provoking film that invites viewers to reflect on their own journeys
while being entertained by the characters' adventures."
Programmkino: "A heartfelt exploration of youth
and freedom, '303' is a film that lingers in the mind long after the credits
roll."
Cineuropa: "Weingartner’s direction shines
through in this intimate film that invites viewers to reflect on their own
lives while enjoying the characters' journey."
The Film Stage: "A visually stunning film
that combines a road trip narrative with profound dialogues, making it a
standout in contemporary cinema."
The Playlist: "303 is a touching and
beautifully crafted film that captures the spirit of adventure and the search
for identity in a compelling way."
free
rainer - reclaim your brain
Die
Abendzeitung: “An overdue major assault on trash TV ... biting media satire
with Moritz Bleibtreu ... delightfully romantic and unconventional.”
Cinema: “FREE
RAINER is an exciting and witty tragicomedy about the mental state of the media
society.”
ARD: “A
guerrilla campaign against the ratings-obsessed entertainment industry.”
Zitty: “...
sometimes gentle irony, sometimes satirical bite, sometimes rosy utopia ...
with a great cast down to the smallest supporting role – a film with meaning
and intellect.”
Frankfurter
Rundschau: “Defends the power of utopia in prosaic times.”
PRINZ: “...
absolutely necessary. Agitation at the height of the times.”
Sax: “...
consistently entertaining ... and fast-paced. Confident actors, strong
soundtrack ...”
TV14:
“Intelligent fun with Moritz Bleibtreu in top form.”
TV direkt: “Media
criticism with bite. Cheeky, subversive, and funny.”
TV Total:
“With 'Free Rainer', Hans Weingartner shows once again how to combine ambition,
fun, and excitement effortlessly after his multiple award-winning 'The
Edukators.'”
Filmecho:
“Weingartner's reckoning with television elicited spontaneous applause from
those present.”
Neue
Vorarlberger Tageszeitung: “Only a few film contributions received as much
applause and ovation at the International Film Festival in San Sebastián as the
provocative and humorous media satire FREE RAINER.”
Critic.de:
“... the satirical scenario of a German self-liberation from so-called
underclass television.”
Der
Tagesspiegel: “Skillfully, FREE RAINER transitions between satire and reality,
with its cheeky demeanor, rebellious look, and progressive use of music.”
Users on
amazon.de: “What a wildly good film! ... What is actually so mercilessly
exaggerated, and what is not? Are we not already at the point where
Weingartner's film begins? Free Rainer is one of those few films that
entertains, is educational, and spreads a message that I would endorse without
hesitation. One can only conclude: German cinema is alive! Films like Free
Rainer ensure that it stays that way. Thank you!”
User on
amazon.de: “A furious reckoning with the gaga TV. I was skeptical whether one
could still add much to reality with a satire. But it works: the film has many
strong, absurd, emotional moments and a serious intention that carries it to
the end. Plus, there is an excess of wonderfully exaggerated characters.”
User on
amazon.de: “This is pure infotainment as it should be, a compelling yet real
stimulating endeavor with a hopeful ending - Free Rainer - very good.”
User on
amazon.de: “SIMPLY GENIUS!”
User on
amazon.de: “Superb film with current relevance and perfect acting! This film
stimulates both the funny bones and the gray cells ...!”
User on
amazon.de: “An absolute gourmet film! ... A great film that is simultaneously
media satire, critique, and showcases abilities and development opportunities.
Of course, the film's outcome is a total dream result, but it at least makes
one think about the entertainment trash served daily.”
User on
amazon.de: “This film is once again TRUE.”